And soon enough you won’t notice that the mix stinks. Try listening to a recording you think sucks. The race is against your biased perspective. Although I bet you’ve never thought of it like that.
And in my humble and sincere opinion, hiring out is always a good option.
The first option, of course, is to hire a mastering engineer. So today I want to help you dig into mastering in Logic Pro without harming your mixes. Safety nets that can catch you before you make a mistake. It’s all about having the right system in place when you approach mastering. You know something’s going on behind the curtain, but just aren’t sure what!Īnd unfortunately, not knowing can do more harm than good when you try to master your own mixes. Even though mastering engineers use the exact same plugins as you or I, how come mastering always feels like a mystery?īut it’s like meeting the great and terrible Oz. It does some things really well, others not so much.Mastering in Logic Pro X, or any other DAW for that matter, can be super intimidating.
Improvements/enhancements to the Score Editor. It seems odd that I have to go into record to add expression and modulation for example but that I don’t have to do so for volume, panning, or plugin parameters. Complete MIDI CC integration into Logic’s host based Region automation. Multiple MIDI Continuous Controllers visible in the Piano Roll. Latin, Jazz, and other genres for Drummer. A new EXS24 2, with the scripting abilities that will make third party developers excited to develop libraries for it again. There are really good third party solutions, but if Cubase has it built in, why can’t Logic Pro X? T he ability to reorder channel strips in the mixer differently from the Track List and then lock it. However, there are still some features I'm waiting/hoping for which aren't available in Logic X 10.3. You can now remotely add tracks to your Logic project from GarageBand on your iPad or iPhone via iCloud. You can record several alternatives and then audition them by pressing the power button on each. This feature is somewhat similar to a Pro Tools Playlist. Access your favorite shortcuts using a set of customizable key commands. Trigger drum pads to create beats while controlling velocity and note repeat. Play and record software instruments using a musical keyboard with piano keys or scale mode. Adjust Smart Controls on the selected track to fine tune the sound of instruments and effects. View your entire project at a glance and navigate with touch in the timeline overview. Support for the Touch Bar on new MacBook Pros. Here is what I am less excited about but others may be: Can you hear the difference? I don’t know but it couldn’t hurt! We now have a preference to use a 64-bit summing engine instead of the 32-bit in previous versions, although the latter is still an option. 
They have added 192 busses for a total of 256!
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